Batwoman: Happily Never After.

15 07 2014

September 2013: The longtime Batwoman creative team of J.H. Williams III and W. Haden Blackman part ways with the title due to “editorial decisions [that] came at the last minute, and always after a year or more of planning and plotting.” Fans of the book and those familiar with the ensuing drama are more than aware that these “editorial decisions” mainly surrounded the now-scrapped plans to have Kate Kane marry her longtime partner, Maggie Sawyer.

Sorry, Kate. It's a life of misery and solitude for you.

Sorry, Kate. It’s a life of misery and solitude for you.

As the backlash and outcry began to spiral into a public relations nightmare for DC, Dan DiDio took the opportunity, during a panel at the Baltimore Comic-Con, to address the situation.

“Heroes shouldn’t have happy personal lives,” he said. “They are committed to being that person and committed to defending others at the sacrifice of their own personal interests.” He then went on to point out members of the Bat family specifically. “People in the Bat family, their personal lives basically suck. Dick Grayson, rest in peace—oops shouldn’t have said that,—Bruce Wayne, Tim Drake, Barbara Gordon and Kathy Kane. It’s wonderful that they try to establish personal lives, but it’s equally important that they set them aside. That is our mandate, that is our edict and that is our stand.”

In addition to not knowing the current Batwoman’s name (Kathy?), DiDio essentially issued a blanket statement that forbade the cowled heroes from indulging in anything that might bring them happiness. Their personal lives were doomed to forever reflect the depressing and crumbling facade of the city they have sworn to protect.

Since then, everything has been going according to plan. Current scribe, Marc Andreyko, is in the midst of squaring Batwoman off against the vampiric Nocturna and Maggie is battling her ex-husband for custody of their child. The relationship between Kate and Mags? Shaky, at best.

Barbara Gordon's nemesis, The Ventrilquist, is the stuff of nightmares.

Barbara Gordon’s nemesis, The Ventriloquist, is the stuff of nightmares.

Gail Simone has certainly had her hands full bringing forth the “doom and gloom” edict in the pages of Batgirl. Not only has the titular character faced the likes of demented villains like Ragdoll and the Ventriloquist, she’s also had to deal with the return of the Joker and her mother’s disfigurement at the hands of the madman. To top things off, a wealthy socialite, who moonlights as a morally ambiguous villainess, seems hellbent on destroying Gotham in order to prevent its further corruption.

July 2014: Roughly ten months have passed since DiDio spoke at the Baltimore convention and Batgirl is about to receive a drastic shift in tone. With Simone leaving the title and Cameron Stewart set to take the helm, Barbara Gordon will be relocating to the hipsterish Gotham borough of Burnside in order to tackle grad school.

In a recent interview with MTV, Stewart said, with regards to Barbara, “Just prior to the start of our story she’s pushed to the breaking point and decides that she’s had it with misery and darkness and wants a change. She wants the opportunity to have some fun and live the life of a young, single girl in the city, so she packs up and moves to Burnside.” Artist, Babs Tarr, added, “I am excited to bring some flirt, fun, and fashion to the title!”

"TOTES gonna go fight some crime, but first..." (you know the rest)

“TOTES gonna go fight some crime, but first…” (you know the rest)

Hold the presses! What happened to the destitute and lonely lives that the caped crusaders were being forced to endure for the sake of the mission? It couldn’t have just been a feeble attempt at damage control following fan rage over what appeared to be a blatant slap in the face to the LGBT community and a character that they’ve come to care about! That’s just unspeakable and would never happen in this day and age. </end sarcasm>

Does this mean that fans can expect a light at the end of a very dark tunnel to shine on Kate and Maggie? If solicits for future issues of Batwoman are to be believed, it might not be advisable to hold ones breath.

While it’s true that this doesn’t necessarily prove that there was any underlying homophobia with relation to the 86ed wedding of Kate and Maggie, it also doesn’t help add credence to DiDio’s insistence that there wasn’t.

At the same Baltimore convention, he emphasized the company’s support for their gay characters, “Name one other publisher out there who stands behind their gay characters the way we do.” Mr. DiDio, let’s get you introduced to Marvel Comics. Have the two of you met? Marjorie Liu’s Astonishing X-Men #51 might be a great place to start getting acquainted.

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Days of Future Past: Mystique Without a Destiny.

23 05 2014

imageFor as long as they have been in print, the plight of Marvel’s mutants has stood as a metaphor for oppressed minorities dealing with prejudice, bigotry, and hatred. The Civil Rights Movement, the Stonewall riots, the current fight for LGBT rights. Parallels to these real-life events can be found sprinkled throughout the 50+ years of X-Men history.

The X-Men, themselves, are not without their own LGBT representation. A minority within a minority, if you will. Jean-Paul Beaubier (Northstar), Xi’an Coy Manh (Karma), Victor Borkowski (Anole), Roxy Washington (Bling!), Shatterstar, Cessily Kincaid (Mercury), and David Alleyne (Prodigy) are just a few.

Perhaps the most notable bisexual character on Marvel’s LGBT roster, Raven Darkholme (Mystique) made her debut within the pages of Ms. Marvel in the 1970s. From there, she would eventually go on to lead an incarnation of the Brotherhood of Evil Mutants and become one of the X-Men’s most infamous adversaries. Ever morally ambiguous, the shapeshifter would also rear an adopted daughter (the future X-Man, Rogue) with her lover, the blind precognitive, Irene Adler (Destiny).

Created by Chris Claremont in 1981 and first appearing in Uncanny X-Men #141, Destiny was intended, from the beginning, to be an intimate companion for Mystique. At that time, however, probibitions against gay/lesbian depictions in comic books were in place by the Comics Code Authority and the villains’ relationship had to be presented in a very subtle manner, often labeled only as “friends”. The original plans to have Nightcrawler be a biological child to both women (with Mystique shapeshifting into a man for the conception) had to be scrapped.

tumblr_lo2r5zFj1K1qj1ajtIt wasn’t until long after Irene’s death on Muir Island, at the hands of Legion, that the true nature of her relationship with Mystique was fleshed out and fully awknowledged. At Northstar’s wedding, Rogue would even make it a point to wonder if her childhood would’ve been different had her mothers been allowed to marry.

To date, Mystique has appeared in five of 20th Century Fox’s X-Men films, portrayed by both Rebecca Romijn and Jennifer Lawrence. While her questionable allegiances and motives are fairly true to her comic book counterpart, her sexuality has barely been touched upon (it was implied that she and Magneto had been schtupping).

X-Men: Days of Future Past is Bryan Singer’s return to mutant cinematic universe. Loosely based on the two-part Uncanny X-Men story of the same name, the basic premise sees Wolverine time-traveling back to the 1970s to prevent the birth of the Sentinel program by stopping the assassination of Bolivar Trask at the hands of Mystique. A glaring difference between the two depictions is that, while Mystique works alone in her attempts to murder Trask in the film, her entire Brotherhood, including Destiny, aims for the target (Sen. Robert Kelly) in the original storyline. In fact, Irene is the last member of the team to make an attempt on the Senator’s life.

While this may not seem like an enormous deal to most viewers, some fans could be left questioning whether or not Fox just fumbled a perfect opportunity to include LGBT representation into the X-Men cinematic universe.

Mystique scatters Destiny's ashes at sea. Destiny still gets the last word.

Mystique scatters Destiny’s ashes at sea. Destiny still gets the last word.

With the size of the cast already busting at the seams, it was quite clear that adding an entire Brotherhood of Evil Mutants was highly improbable from the start. Focusing on Mystique as an antagonist is not necessarily a bad idea. It helps establish a distinct development that was necessary to show how the character evolved, following the events of First Class, to become the woman we remember from X2.

With that in mind, including Irene Adler could still have easily worked in a different capacity and, with the amount of time that passed between First Class and Days of Future Past, the organic development of a relationship between Raven and Irene is not beyond the realm of plausibility. Not only would this have humanized the character of Mystique and allowed the audience to view her as more than just a mutant terrorist, it would have also added an extra layer to the motives behind her contentious actions throughout the series.

In essence, Days of Future Past, is a film about the “butterfly effect”. The slightest interactions by Wolverine and co. with the past can drastically and continuously alter the events of the future. The character of Destiny would have been an interesting liaison, of sorts, to the changes befalling the future timeline, randomly updating the characters as to their actions’ repercussions on the time stream.

1678700-brotherhood_of_evil_mutants_02Fox and the X-Men film franchise are not alone when it comes to lacking in LGBT representation. Despite a handful of gay/lesbian characters in its ranks, the Avengers have yet to really venture into that territory within their cinematic universe. Lesbian H.A.M.M.E.R./S.H.I.E.L.D. agent, Victoria Hand, who was featured during Brian Michael Bendis’ tenure on Dark Avengers, appeared briefly in the Agents of S.H.I.E.L.D. television series before being killed off after four episodes. Little development of the character was done before her subsequent demise and viewers would have no knowledge of her sexuality if they were unfamiliar with her comic book appearances.

With the number of LGBT comic book characters increasing, it seems, by the year, one can’t help but wonder how long it will be before the respective cinematic universes begin to follow suit. Including gay/lesbian diversity in these films is not a recipe for box office disaster and the throngs of queer fans at any number of comic book conventions can attest to that.

 





A 2013 Retrospective: Diversity Assemble!

9 01 2014
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Monet St. Croix

2013 shaped up to be quite an interesting year for diversity in mainstream comic books.  In a medium once ruled by stereotypical alpha male characters of a caucasian and heterosexual persuasion, it’s getting more difficult to shoot an optic blast without hitting at least one female, LGBT, or character of color.

Evidence of the progression that the comic book genre has made is all around. One only has to attend a comic book convention. Not only is a large percentage of visitors comprised of female geeks and LGBT readers, but any number of panels/screenings/talks are centered on numerous diversity issues that more and more fans are finding increasingly important.

Even 2013’s editorial “facepalms”  (re: DC’s Batwoman marriage scandal and the eyebrow raising “Harley Quinn Commits Suicide” art contest) could not stop the rising tide of progress that character diversity made throughout the year.

One of the most blatant examples of said progress is, inarguably, within the pages of Brian Wood’s X-Men.  The idea of an all-female team of X-Men is something that fans have been clamoring for for as long as I can remember. Not only does the current lineup of this squad boast all xx chromosomes, each member (save for Rachel Grey) is also a woman of color. Pre-Battle of the Atom teammates included Storm, Jubilee, and Psylocke… each representing Kenyan, Chinese, and Japanese ethnicities, respectively. They have since been joined by Karima Shapandar, a native of India formerly known as Omega Sentinel. Monet St. Croix, a Muslim of Algerian/Monegasque descent, first introduced in Generation X and most recently featured in Peter David’s run of X-Factor, has also been added to the roster . Each of these ladies on this team is a distinct voice and a powerhouse in her own right. Could any one of them go toe-to-toe with the likes of Captain American or Iron Man? Absolutely!

That’s not all when it comes to Mr. Wood’s book. The current villain in play is the Japanese cyborg, Lady Deathstrike. Yuriko has become a melting pot of her very own with her consciousness being uploaded into the body of Colombian heiress, Ana Cortes.

Bling! puts the moves on Jubilee.

Bling! puts the moves on Jubilee.

Let’s not forget about LGBT representation in X-Men. A secondary story is currently woven into the main plot involving the African-American/bisexual mutant, Bling!, and some Sapphic drama with fellow Jean Grey School classmate, Mercury. This recently culminated in Bling! planting a lip-lock on Jubilee in an attempt to make Mercury jealous.

While the X-books have always served as a metaphor for any number of oppressed minorities, Brian Wood should be given major credit for the fantastic work he has done on this title, thus far.

Female characters scored another success in the twelve issue (thirteen if you count the Age of Ultron tie-in… and you SHOULD) run of Cullen Bunn’s Fearless Defenders. The series was as fun and straightforward as an episode of GLOW (and, let’s face it, that’s pretty damn fun)… the good girls vs. the mean girls. The Defenders included Cheyenne Native American, Danielle Moonstar and African-American bionic badass, Misty Knight. As for the heroines who just happen to be lesbians, Annabelle Riggs and Ren Kimura had that area covered.

Shamrock tells the men where to go.

Shamrock tells the men where to go.

One of the most memorable moments from the series featured several of the Defenders’ significant others, gathering at a pub as a makeshift intervention to show the ladies the err of their ways. The world of masked heroics is just too dangerous for such fragile lasses. Having been involved in her fair share of superhero antics, the pub’s owner, eventually puts the whiny bags of testosterone in their place when it comes to sexism.

Marvel Comics has also proven, time and time again, that the books involving teenage characters both include and address diversity in a blasé manner. It is all very “matter of fact.” There’s no big “Yep, I’m gay.” speech at a news conference (sorry, Northstar). This could easily be chalked up to the fact that younger generations of people have been exposed to different cultures and ethnicities from the moment they are born. Avengers Arena and Young Avengers are two of these titles that ran through 2013 and featured a bevy of kids from all walks of life.

Cullen Bloodstone and Cammi share a moment in Murderworld.

Cullen Bloodstone and Cammi share a moment in Murderworld.

Dennis Hopeless’ Avengers Arena introduced us to Cullen Bloodstone (of the monster-hunting Bloodstones). He was one of the unlucky students from the Braddock Academy to find himself trapped in Arcade’s Murderworld. As if being pitted against fifteen other superpowered teenagers in a Battle Royale/kill-or-be-killed contest for Arcade’s sole entertainment, he also has to deal with his unrequited feelings for his (presumably) heterosexual classmate, Anachronism.

As the body count rises, there’s an interesting moment between Cullen and Cammi. She asks him about the secret feelings that he’s been harboring about one of the other gameplayers. Cammi doesn’t bat an eyelash at the revelation that Cullen has fallen for another man. Instead, she advises him against getting attached to anyone because the only way out of Murderworld is by being the sole survivor at the end of the game. The big “coming out” scene is treated casual as if it’s not a big deal. Honestly, it shouldn’t be a big deal.

Superhero selfie (courtesy of the Young Avengers)

Superhero selfie (courtesy of the Young Avengers)

One really cannot speak of teenage superheroes and diversity without touching on Kieron Gillen’s SUPERB run on Young Avengers. First off, the series features one of Marvel’s longest-running gay couples, Hulkling and Wiccan. The wonderful thing about these characters is that their relationship feels organic. Readers have been able to follow its development since the days of Allen Hienberg’s run in 2005. They aren’t generic plot devices thrown into a story for the sake of having a token gay relationship.

Also joining the team is African-American depowered mutant, Prodigy. Gillen put an interesting spin on David’s previous powerset. Through the course of Young Avengers, we learn that David identifies as bisexual. He attributes this to his previous ability to mimic the knowledge from anyone’s mind that he came into contact with. This knowledge still remains within him despite being depowered on M-Day.

Team bruiser came in the shape of one Miss America Chavez. Introduced during Joe Casey’s Vengeance, the interdimensional Latina heroine proved herself to be an invaluable asset to the team… especially when it came time to putting the Norse trickster god, Loki, in his place. Speaking of Loki, the pansexual, occasionally female-bodied brother of Thor was the perfect thorn in the team’s side.

Batgirl's roommate, Alysia Yeoh

Batgirl’s roommate, Alysia Yeoh

Over on the DC Comics side of the room, champion of diversity, Gail Simone (seriously, she should list that as a “special skill” on her résumé), introduced what may be the first transgender character in mainstream comic books. Barbara Gordon’s (a.k.a. Batgirl) roommate came out as transgender to the titular character following the events of Death of the Family. The great thing about Alysia is that she is not transgender due to a latent superhero ability to shapeshift… it’s just a part of who she is as a person.

Reflecting back on the past year definitely gives one high hopes for the new year. Judging by early solicitations and news media outlets, it doesn’t appear that 2014 will disappoint.

Kamala Khan, the new Ms. Marvel

Kamala Khan, the new Ms. Marvel

Beginning in February, G. Willow Wilson will bring us the adventures of the new Ms. Marvel, Kamala Khan. The teenager from New Jersey styles herself as Carol Danvers’ number one fan and, after discovering her Inhuman heritage and shapeshifting abilities, takes on the classic mantle. Yes, Kamala is not the first Muslim to appear in a Marvel title. She is, however, the first Muslim to receive a solo title.

February will also see Cullen Bloodstone return as a main character in Dennis Hopeless’ Avengers Undercover while Loki receives own solo series, Loki: Agent of Asgard. Writer Al Ewing promises that the Loki’s book will address the god’s fluid sexuality and gender identity.

Comic books have always been a way to kick back and escape from reality. A way to suspend disbelief and connect with a character that does what needs to be done for the greater good of humanity. Thankfully, today, more people are able to do just that. People from different backrounds or ethnicities. People of different sexual orientations. People both male and female. The truth is, in the end, we all look the same behind a mask and cape.

 





Leaving Behind a Legacy.

22 10 2013

x_men_legacy__14_by_deadlymike-d6eyyooA funny thing happened in November of 2012. A quirky comic book title centering on an oft-overlooked mutant character was born. David Haller, otherwise known as Professor Xavier’s mentally unstable son, Legion, would be headlining Si Spurrier’s relaunch of X-Men Legacy. Oh, there were naysayers and readers who quizzically cocked their heads in confusion that such a book was being ushered out with Marvel’s first wave of “NOW!” titles. Unfortunately, I have to count myself among their ranks. How on 616’s earth would a character like Legion be able to sustain an ongoing title in such a capacity that readers would continue to pick up the latest issue each month?

What we weren’t prepared for was the odd and imaginative literary magic that Spurrier would weave into the pages of Legacy. A very devoted and vocal fan following developed and the book would become, consistently, one of the best written X-books each month.

To bring foolish non-readers up to speed, X-Men Legacy finds Legion dealing with the fallout of his father’s death during AvX and trying to figure out his own place in the grand scheme of the fledgling mutant race. With a “legion” of multiple personalities that inhabit his fractured psyche (each with their own mutant ability), David decides on a more direct approach to dealing with mutant threats… he intends to preemptively cut them off at the pass before any damage can be done. His machinations do not go unnoticed by mutant precog, Ruth Aldine (a.k.a. Blindfold). These two outcasts soon find themselves inexplicably drawn to eachother and are soon as inseparable as Sid and Nancy.

One of the interesting aspects of the book is that the story alternates between events happening on the physical plane and those occurring within Legion’s gray matter. By delving into the trappings of Legion’s mind, readers are not only treated to a first-hand account of David’s internal thought process, but we also have the opportunity to witness the chaos of having a near-infinite cavalry of sometimes very dangerous personalities running amuck in his head.

X-Men Legacy 13-01Fans of continuity references and tertiary characters have, arguably, made up a good portion of Legacy‘s fan base and with good reason. Past events like Inferno were referenced and obscure characters (Ruckus of the Nasty Boys, Lila Cheney, Pete Wisdom, Meggan, Liam Connaughton, and Alchemy) were dug out of Marvel’s bottomless bin of forgotten mutants. Spurrier also used the past year to tie up the loose end regarding Blindfold’s brother who was briefly but ominously mentioned by Destiny towards the end of Necrosha. In addition, we finally get closure (albeit, heartbreaking) between Legion and his estranged mother, Gabrielle.

The X-books, Legacy included, and mutant characters in general have always been seen as a metaphor for any persecuted minority in real life. Gay and lesbian fans of comic books have often gravitated to Marvel’s merry mutants for this very reason. From reparative therapy clinics and virulent anti-mutant protests, Legacy‘s references to some of the daily vitriol that many members of the LGBT community still face was crystal clear.

As we have learned from Marvel’s January 2014 solicitations, nothing this great lasts forever. The start of the new year will, unfortunately, see the series “race towards its conclusion.” I don’t doubt that the climax of this book will be as enjoyable as the story thus far. One of the few saving graces is that Si Spurrier and amazing cover artist, Mike Del Mundo, will be allocated to other Marvel titles.

If you have been a reader of any countless X-books in the past but have avoided this title due to a lack of “a-list” characters or immediate ties to the various mediocre crossover events that we’ve been subjected to in the last year, I suggest digging through your store’s long boxes, dropping a couple of bucks on the back issues, and settling in for quite a fantastic ride.





Fearless: A Requiem for the Defenders.

18 10 2013

tumblr_mteam7F0V11qzidaoo1_1280In February of 2013, if you were to tell me that my favorite book of this year would be mainly comprised of C and D-List superheroines and villainesses, would I have believed you? Yes. Yes, I would. If you’ve had the opportunity to speak with me about my love of comic books for at least five minutes, you would quickly find out that my unwavering love for underused and underutilized female characters knows no bounds.

For those of you not in the know (yes, I hold you all mostly responsible for the book’s cancellation), Fearless Defenders  spun out of the events of Fear Itself: The Fearless, arguably the only good tie-in associated with the Fear Itself crossover event. The first issue hit store shelves just prior to Emerald City Comic Con in Seattle which, coincidentally, would be the first time that I had the priviledge of meeting the book’s scribe, Cullen Bunn. His excitement about the new book was palpable. I remember discussing Misty Knight with him and stating that she doesn’t get the love she deserves even though she’s pretty much Pam Grier’s Foxy Brown with a robot arm!

battleThe book brought together a ragtag group of female superheroes to battle the love child of Doctor Doom and Morgan Le Fay as she and her army of Doom Maidens attempt to usher in world-wide destruction. The team leadership role was split between Brunnhilde (Valkyrie) and Misty Knight. As the story progressed, the team’s ranks would expand to include a bookish archaeologist (Annabelle Riggs), a resurrected Amazonian warrior (Hippolyta) a depowered mutant (Danielle Moonstar), a snarky British monster hunter (Elsa Bloodstone), an exiled sorceress (Clea), and a newly activated Inhuman (Ren Kimura). Even with such a large and diverse cast, Bunn had no problems adding to each character’s development within the story and giving each lady her own, distinct voice.

Caroline Le Fay’s team of Doom Maidens was also made up of a veritable who’s who of “where the hell have they been?” villainesses… Ruby Thursday. Quicksand. Sylvie Lushton (The Enchantress). Titania. Scorpia. Mindblast. Shriek. When a creator pulls characters like this out of “comic book limbo”, it’s pretty safe to say that it has more to do with his/her affinity for the character and less to do with editorial mandate.

titaniaWill Sliney handled the pencilling for the series (save for issue #7 in which Stephanie Hans took the helm for Clea’s return). To say that his work was consistently enjoyable would be an understatement. His characters’ facial expressions were crisp and clearly demonstrated the appropriate emotion required for the panel (the pseudo-condescending looks and side-eye that Elsa would throw Misty were some of the most memorable). During some of the epic smackdowns and battle scenes, characters were never lost due to murky artwork which is more than some other artists on the top-tier books can boast. Sliney’s pencils, coupled with both beautiful coloring from Veronica Gandini and Mark Brook’s absolutely stunning covers, made for some unforgettable visuals.

If we have learned anything from Marvel Comics over the years, it’s that nothing this good ever lasts forever (read: Greg Pak and Fred Van Lente’s Alpha Flight reboot, Jeff Parker’s Agents of Atlas and Atlas) It’s easy for folks to say that books that lack an A-list character like Captain America or Iron Man will never make it. I don’t necessarily believe that to be true. Books featuring these characters are going to sell, regardless, and yet they are the titles that generally receive the most promotion and the heaviest push from Marvel. It’s well beyond time that publishers give the underdogs a bit more of a boost instead of leaving them to tread water until they’ve become exhausted around issue #12. The fans and creative teams of these books deserve better.

FDWhile the fanbase of Fearless Defenders may not be as large as that which reads any one of the sixty Wolverine-centric titles that Marvel pushes out on a monthly basis, I can safely say that we are a dedicated and vocal fanbase. Perhaps my memory deceives me, but I don’t recall seeing any Savage Wolverine readers organizing a cosplay photo shoot based on the book at this year’s NYCC.

Fearless Defenders was one of those rare gems that my eyeballs eagerly gobbled up each month on the day it was released. It represented both female and queer characters in not only a positive but also a powerful light. Saying it will be greatly missed just doesn’t seem appropriate enough of a sentiment.

My hat goes off to Cullen Bunn, Will Sliney, Ellie Pyle, Stephanie Hans, Veronica Gandini, Phil Jimenez, and the entire team involved in the title. I know I speak for many others when I say “thank you.”





Editorial: The New World Order.

6 09 2013
BATWOMAN_25

Batwoman #25

The beautiful cover of the upcoming 25th issue of Batwoman (as drawn by J.H. Williams III) is just a little bit more ominous, if not foretelling, in light of yesterday’s news regarding the title’s creative team.

Twitter was ablaze since early yesterday morning with a barrage of furious tweets from comic book readers. The common denominator? A Batwoman hashtag. Thanks to a powerful combination of social media and the outrage of fans, DC Comics was about to experience a public relations nightmare… something that appears to be the latest trend from the publisher since the launch of The New 52.

To sum up the drama, editorial has once again driven a creative team to the point of abandoning the slowly sinking ship that is DC Comics. This time, the casualty was the creative team responsible for the monthly exploits of the fiery-haired socialite in a cowl, Kate Kane a.k.a. Batwoman. J.H. Williams III and W. Haden Blackman released a joint statement regarding their voluntary departure from the Batwoman title in which they sited conflicts with editorial such as a demands to axe a planned origin story for Killer Croc and alter the planned ending for the current Batwoman vs. Batman arc.

Most notably, Williams and Blackman were also forbidden from ever depicting the wedding of Kate Kane and her long-time partner, Maggie Sawyer, on panel. While DC claims that this decision was not homophobic in nature, one has to wonder if they even bothered to consider how the prohibition of a wedding between two lesbian characters, regardless of the reason, would translate to readers… especially readers from the LGBT community.  

Many comic book marriages have been dissolved in the past (Spider-Man and Mary Jane Watson, Clark Kent and Lois Lane). Publishers usually chalk it up to the fact that marriage can often stump a character’s growth and limit future storytelling. This explanation could easily be applied to the Kate/Maggie wedding debacle. However, gay and lesbian fans were bound to take this as a slight against homosexuality and rightfully so. Society is finally just starting to slowly come around to the acceptance of same-sex marriage. Up to this point, marginalization and discrimiation has been commonplace and, sadly, still expected.

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Over the past year, we’ve seen Robert Liefeld walk away from The Savage Hawkman. James Robinson cut ties with the publisher in the midst of his work on Earth 2. Gail Simone was fired via email from the Batgirl title (she was subsequently rehired after the news went viral and caused a massive internet backlash). All were attributed to the heavy hand of editorial.

At what point did editorial stop concentrating on the quality of the product and making sure story continuity flowed properly? When did they decide to start dictating what to write to the actual writers?To demand revisions and rewrites How long before “Edited By:” appears on the cover of each book in bold lettering and twice the font size as that used to designate the artists and writers… the actual talent behind the title?

Williams has stood by Batwoman since her days on Detective Comics. He soldiered on when Greg Rucka left the book in the wake of the launch ofThe New 52. It’s truly tragic that a man so talented and with such a passion for this character was given no other option than to bid farewell.