Destination: Bitch Planet

9 12 2014
"Bitch Planet" by Kelly Sue DeConnick (w) and Valentine de Landro (a)

“Bitch Planet” by Kelly Sue DeConnick (w) and Valentine de Landro (a)

Criminally Non-Compliant women are shipped from Earth to a prison planet by a society that deems them unfit or too problematic for our world.

No, this is not a description of the Republican party’s ultimate wet dream. It is the new Image Comics title from Pretty Deadly and Captain Marvel scribe, Kelly Sue DeConnick. Bitch Planet, with art from Valentine de Landro, hits shelves on December 10th and pays homage to some of the classic “women in prison” exploitation films of the late 60s and 70s.

Decades before Orange is the New Black became a household name and the darling of Netflix’s streaming media catalog, grindhouse theaters screened films such as Caged Heat, Women in Cages, and The Big Bird Cage as part of double-features or all-night bills. Known for their low budget and explicit content, exploitation films, and the “women in prison” sub genre, have arguable historical importance and may or may not have paved the way for some of the rough-and-tumble female bruisers that we see in our comic books and on television today.

Pam Grier in Roger Corman's "Women in Cages".

Pam Grier in Roger Corman’s “Women in Cages”.

While most, if not all, of the films from this category are sadly only known for visually catering to sexual fetishism (bondage, S&M, voyeurism), film historians and many feminists argue against this being the only merit to remember. The female characters in these movies range from the brutal to the victimized and are often imprisoned falsely or for non-violent crimes by a patriarchal society… the same sort of society that would sooner force a woman to spend her waking hours in a kitchen rather than earning equal pay for work.

tumblr_ndt76uhZkJ1qz6egko1_500Nine times out of ten, the films end with the imprisoned women powerfully uprising to attain justice for the sadistic abuse they endured and achieve freedom at any cost. By the time the credits roll, the women are empowered and their captors eliminated.

Already receiving glowing reviewsBitch Planet‘s arrival couldn’t have been timed better. With women constantly on the proverbial chopping block with political rulings such as the infamous “Hobby Lobby” decision, books like Kelly Sue’s newest endeavor and the now-cult-status-level films that preceded it will always be important to not only give a proverbial middle finger to patriarchal society, but to prove that women will never back down… even when physically or metaphorically caged.

 

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Strong Female Character: Lila @#$%ing Cheney!

2 10 2014
A preview of David Lopez's art for "Captain Marvel" #9 (feat. Lila Cheney).

Preview of David Lopez’s art for “Captain Marvel” #9 (feat. Lila Cheney).

In a recent interview with CBR, “80s fairy tale rock opera” were the exact words that Captain Marvel scribe, Kelly Sue DeConnick, used in reference to the title’s upcoming 9th issue.

If you are fortunate enough to remember the magical decade known as the 80s, images of punk rockers, studded belts, glitter, neon-colored jelly bracelets, leather motorcycle jackets, teased hair, ripped fishnet stockings, and smudged eyeliner should be swirling through your mind.

What Marvel character epitomizes everything that was glamorously trashy and decadent about the 80s? There is only one. She’s British… she’s an intergalactic teleporter… she’s a mutant rockstar… she’s Lila Cheney. Yes, as confirmed by Marvel’s November solicits, Sam Guthrie’s former flame is set to cross paths with the (now) spacefaring Carol Danvers.

Newer comic book readers (and others that have been living under a wet stone) may be asking “Who is Lila @#$%ing Cheney?” In preparation for November’s issue of Captain Marvel, five of Lila’s “better than everyone else in the Marvel Universe” moments have been gathered below:

Lila Cheney's first appearance ("New Mutants" Annual #1).

Lila Cheney’s first appearance (“New Mutants” Annual #1).

1) The Bill Sienkiewicz cover of New Mutants Annual #1: The world’s first glimpse of Lila was courtesy of Bill Sienkiewicz’s stunning cover artwork for New Mutants Annual #1. The cover, featuring a Siouxsie Sioux-looking Lila with Sam Guthrie (a.k.a. Cannonball) at her side, is an obvious homage to other cinematic artwork (Conan the BarbarianStar Wars). However, instead of the female appearing in the submissive role, Lila is the alpha dog and Sam has become the “damsel in distress”.

2) Meeting Mrs. Guthrie for the first time: It should be common knowledge to X-Men fans that Sam Guthrie hails from America’s heartland… the ultra-Conservative and redder- than-a-candy-apple state of Kentucky. You can imagine Sam’s mortification when Lila showed up to meet the matriarch of the Guthrie family looking like a Jem and the Holograms groupie doing the walk of shame.

Lila meets Mrs. Guthrie in "New Mutants" #42.

Meeting Mrs. Guthrie in “New Mutants” #42.

In the end, her appearance was revealed to be a ruse after she teleported away to change into a more demure ensemble. Her goal was to determine whether or not Sam would ever be ashamed of her, their relationship, or their obvious differences. The family introductions went off without a hitch and Lila would remain friendly with Mrs. Guthrie for many years to come.

(side note: Parallels to LGBT relationships can easily be made throughout this memorable scene.)

3) Dazzler tried to upstage Lila so Ms. Cheney threatened to fire her ass: Despite growing anti-mutant sentiment, the events of Dazzler: The Movie saw the disco queen “come out” as a mutant to the public. Needless to say, it ruined Alison’s career and she was forced into hiding… as a backup singer for Lila Cheney’s band. Following a concert in San Francisco, the disembodied psionic mutant, Malice, took possession of Dazzler and began to influence her behavior.

Dazzler takes over lead vocals in "Uncanny X-Men" #214.

Dazzler takes over lead vocals in “Uncanny X-Men” #214.

Some time later, as Lila’s tour was in full swing, Dazzler (Malzzler/Dazzlice) attempted to usurp the role of lead vocalist from Lila. Claiming to only be concerned for Dazzler’s safety, Lila threatened to sack the singer should she ever try shenanigans like that again. Truthfully, we all knew that Lila rightfully didn’t like sharing the spotlight.

Lila Cheney and Deathbird... badass babes with big guns ("Uncanny X-Men #276).

Lila Cheney and Deathbird… bad, beautiful babes with really big guns (“Uncanny X-Men #276).

4) That time she was recruited by Deathbird and had a really big gun: At one point, occasional Shi’ar Empress, Deathbird, elicited the help of Lila Cheney after the former witnessed Charles Xavier laying waste to planets within the Empire.

Being an intergalactic teleporter proved most useful as Lila used her powers to collect the X-Men at Deathbird’s behest. In the end, it was revealed that Xavier and his lover, Lilandra, had been replaced by Warskrulls who had seized the opportunity to attack Shi’ar alien races. The invaders were defeated and the real heroes rescued from their confinement.

It was never revealed whether or not Lila and Deathbird had raided Cable’s weapon stockpile to obtain the insane hardware that they so proudly wielded.

5) She played a flying monkey in Mojo’s production of The Wizard of Oz: Hoping for some r&r at her Malibu beach house, Lila was surprised to see that her bodyguard, Guido, had invited an amnesiac Dazzler to stay with them.

Lila Cheney... the true star of Mojo's "The Wizard of X" ("X-Men" #7).

Lila Cheney… the true star of Mojo’s “The Wizard of X” (“X-Men” #10).

The rag tag group of mutants  soon had a few more uninvited guests… first in the form of Longshot, who came seeking Dazzler’s help back in his home world, the Mojoverse. Next, came the sorceress, Spiral, in an attempt to convince Lila to teleport them all to safety. Unbeknownst to Lila, her powers had been altered, resulting in her, Longshot, and Dazzler all being sent to the Mojoverse.

The X-Men were summoned to help their teammates but soon ended up as prisoners of Mojo, themselves. With his love of televised entertainment unquenchable, Mojo produced The Wizard of X… starring the X-Men. Lila’s big, onscreen moment came when she was coerced into attacking the show’s Dorothy (Longshot).

Mojo was eventually defeated and his grip over the Mojoverse transferred to Mojo II: The Sequel.

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Carol Stardust and the Flerkins from Mars (David Lopez’s cover artwork for “Captain Marvel” #9).

Most recently, Lila had been seen in the company of David Haller, the mutant known as Legion. She assisted him in his mission to wipe mutantphobia from Great Britain (Si Spurrier’s X-Men Legacy #13-14) and has since been off-the-grid.

Details have been quite scarce as to the story behind Lila’s upcoming appearance in Captain Marvel. Judging by what Kelly Sue has done with the title, thus far, readers can be sure to expect quite a stellar ride! Afterall, it’s not every day that Carol Danvers gets done up in full Ziggy Stardust makeup!