Editorial: The New World Order.

6 09 2013
BATWOMAN_25

Batwoman #25

The beautiful cover of the upcoming 25th issue of Batwoman (as drawn by J.H. Williams III) is just a little bit more ominous, if not foretelling, in light of yesterday’s news regarding the title’s creative team.

Twitter was ablaze since early yesterday morning with a barrage of furious tweets from comic book readers. The common denominator? A Batwoman hashtag. Thanks to a powerful combination of social media and the outrage of fans, DC Comics was about to experience a public relations nightmare… something that appears to be the latest trend from the publisher since the launch of The New 52.

To sum up the drama, editorial has once again driven a creative team to the point of abandoning the slowly sinking ship that is DC Comics. This time, the casualty was the creative team responsible for the monthly exploits of the fiery-haired socialite in a cowl, Kate Kane a.k.a. Batwoman. J.H. Williams III and W. Haden Blackman released a joint statement regarding their voluntary departure from the Batwoman title in which they sited conflicts with editorial such as a demands to axe a planned origin story for Killer Croc and alter the planned ending for the current Batwoman vs. Batman arc.

Most notably, Williams and Blackman were also forbidden from ever depicting the wedding of Kate Kane and her long-time partner, Maggie Sawyer, on panel. While DC claims that this decision was not homophobic in nature, one has to wonder if they even bothered to consider how the prohibition of a wedding between two lesbian characters, regardless of the reason, would translate to readers… especially readers from the LGBT community.  

Many comic book marriages have been dissolved in the past (Spider-Man and Mary Jane Watson, Clark Kent and Lois Lane). Publishers usually chalk it up to the fact that marriage can often stump a character’s growth and limit future storytelling. This explanation could easily be applied to the Kate/Maggie wedding debacle. However, gay and lesbian fans were bound to take this as a slight against homosexuality and rightfully so. Society is finally just starting to slowly come around to the acceptance of same-sex marriage. Up to this point, marginalization and discrimiation has been commonplace and, sadly, still expected.

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Over the past year, we’ve seen Robert Liefeld walk away from The Savage Hawkman. James Robinson cut ties with the publisher in the midst of his work on Earth 2. Gail Simone was fired via email from the Batgirl title (she was subsequently rehired after the news went viral and caused a massive internet backlash). All were attributed to the heavy hand of editorial.

At what point did editorial stop concentrating on the quality of the product and making sure story continuity flowed properly? When did they decide to start dictating what to write to the actual writers?To demand revisions and rewrites How long before “Edited By:” appears on the cover of each book in bold lettering and twice the font size as that used to designate the artists and writers… the actual talent behind the title?

Williams has stood by Batwoman since her days on Detective Comics. He soldiered on when Greg Rucka left the book in the wake of the launch ofThe New 52. It’s truly tragic that a man so talented and with such a passion for this character was given no other option than to bid farewell.

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